The Blacklist S1E7
WARNING: This review contains spoilers.
The beauty of The Blacklist is that it is a satire of other popular TV dramas.
As Andy Greenwald describes it, television is cannibalizing itself. In this new era of Walking Dead Miami and Better Call Saul, The Blacklist stands out as a big-budget over-the-top hour of wickedly nonsensical badassery, driven by the riveting performance of James Spader as Raymond Reddington. As I have mentioned previously, the best way to view the show is to suspend logic until after the credits roll.
